Initially motivated by the shape and capacity of an ocean urchin, craftsman Jennifer Maestre builds cumbersome natural structures utilizing pencils and pencil shavings that blossom like unworldly blooms. Some of her most recent pieces seem to have grown appendages and rest on platforms like scaley octopi. The craftsmanships are intended to at the same time pull in the viewer additionally offer a specific stylish barrier. She partakes in her craftsman proclamation:
The spines of the urchin, so perilous yet lovely, serve as an express cautioning against contact. The charming surface of the spines attracts the touch hate of the conceivable outcomes. The pressure divulged, we feel push and force, longing and repugnance. The areas of pencils present parts of sharp and smooth for two altogether different textural and tasteful encounters. Catch 22 and astonish are essential in my selection of materials.
A few pieces by Maestre were as of late on view as a component of a show titled “Waste to Art” in Baku, Azerbaijan. You can see a greater amount of her works-in-advance on Facebook
